How art can be interstitial[ edit ] Take fiction as an example: Classifying such an act as interstitial performance art would be imprecise but efficient and accurate. She might go onstage and sing, tell a spoken-word story, project shadow puppets on a screen, and play a hacked violin whose bow is strung with audio tape.
Television station programmers refer to any short piece of content that is neither a show nor a commercial, but is sandwiched between them, as "an interstitial". Architects refer to the leftover gaps between building walls as "interstitial space", being neither inside any room nor outside the building.
The anthology strives to "change your mind about what stories can and should do as they explore the imaginative space between conventional genres". Over a period of several years, Kushner and Sherman prompted ongoing discussion about the importance of cultivating artistic "in-betweenness" led to the formulation of the broad concept of interstitial art.
The anthology raised several questions and started many debates on the nature of interstitiality as applied to fiction. The interstitial arts movement[ edit ] In the mids, Delia ShermanEllen KushnerTerri WindlingHeinz Insu FenklMidori SnyderKelly LinkGavin GrantGregory FrostTheodora GossVeronica SchanoesCarolyn Dunn, Colson Whitehead, and other American writers interested in fantastic literature found themselves commiserating over the common perception that the genre-oriented publishing industry found it difficult to market truly innovative fiction involving unusual, fantastical, or cross-genre elements—because the mainstream literary fiction field demanded stories based in realismwhile the fantasy field demanded stories that mostly followed the standard conventions of sword and sorcery or high fantasy.
Or consider the performance artist Laurie Anderson: For instance, when novelist Laurell K. Hamilton first began writing and publishing romances featuring vampires and fairiesbookstores faced a dilemma: Reviewers raised the question of how important the definition, or lack thereof, was to understanding the anthology as a whole and the stories individually.
Medical doctors have used the term for hundreds of years to refer to a space within the human body that lies in between blood vessels and organs, or in between individual cells. Further, the idea of interstitiality applied to other kinds of "in-between" fiction unrelated to fantasy and other "in-between" arts.
Is she a singer, a monologist, a puppeteer, or some kind of tinkering instrumentalist?Check out the second volume. Interfictions: an anthology of interstitial writing / edited by Delia Sherman & Theodora Goss.
p. cm. Includes bibliographical references and index. Comments. 2 Responses to “Interfictions: An Anthology of Interstitial Writing”. Interfictions has ratings and 20 reviews.
Alan said: I enjoyed the tales in this anthology. I was especially impressed by the final story, Catherynne /5(20). Interfictions: An Anthology of Interstitial Writing by Delia Sherman Nineteen writers dig into the imaginative spaces between conventional genres—realistic and fantastical, scholarly and poetic, personal and political—and bring up gems of new fiction: interstitial fiction/5(2).
Interfictions Zero, edited by Delia Sherman and Helen Pilinovsky, is a rolling online anthology of interstitial criticism on interstitial texts. Every month, an original essay will go up on the Interstitial Arts Website, concerning some previously published piece of interstitial writing (hyperlinked where possible).
The Interstitial Arts Foundation; Support the IAF.
Sub menu. Search for: from the editors Letter From the Editors.
Dear readers, writers, artists, and friends, With your support, Interfictions has spent three years providing an online space for creative work that dwells between forms and genres. The Fall issue showcases some of the most. Interfictions: An Anthology of Interstitial Writing [Delia Sherman, Theodora Goss, Catherynne M.
Valente, K. Tempest Bradford, Léa Silhol, Christopher Barzak] on mi-centre.com *FREE* shipping on qualifying offers. Nineteen writers dig into the imaginative spaces 4/5(5).Download